This is a difficult opera to stage now, and director Matthew Ozawa has found an effective solution. And audiences still hear every note of Puccini’s beloved 1904 score.
Ever since I saw "Madama Butterfly" for the first time at the Lyric in 8th grade, I've had problems with the Puccini opera. Warning: Spoilers ahead for those who don't know "Butterfly"'s ending. The ...
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