The New Yorker

The Delirious Cinematic Artifice of Bi Gan’s “Resurrection”

In the Chinese director’s third feature, the pop idol Jackson Yee plays a shape-shifting dreamer who gets lost in a densely ...

‘Resurrection’ Review: A Hallucinatory Voyage Into Cinema

The Chinese director Bi Gan, who has become a lauded fixture on the festival circuit, conjures a boundary-pushing tale that ...

‘Resurrection’ is a sumptuous, transporting dive into the pure pleasures of the image

Resurrection' contains one of director Bi Gan's signature long takes — lasting 30 minutes — but the movie is also a euphoric, ...

Bi Gan on Pushing Cinema’s Horizons for ‘Resurrection’ — and the Year’s Most Extraordinary One-Take Scene

Bi Gan talks his Cannes winner 'Resurrection' and building the film's extraordinary one-take sequence involving a raincoat ...
Yahoo

‘Resurrection’ Brings Bi Gan Back to Cannes With a ‘Movie Monster’ That Showcases a Century of Cinema: ‘A Celebration of the Lives of People’ (EXCLUSIVE)

Chinese auteur Bi Gan is back at Cannes with competition title “Resurrection,” a six-part fever dream where a movie monster drifts through China’s 100-year history. “I structured this monster’s soul ...

'Resurrection' is a tour de force film you have to see on the big screen

The final segment of Resurrection plays out in a single, unbroken take that lasts a full half-hour, wending its way through a ...