Performer Sara Hess stands at the microphone during a performance of Jérôme Bel’s “Disabled Theater.” (photo by Ian Douglas, courtesy New York Live Arts) Bel’s performance piece is of a similar nature ...

Jerome Bel's TBA festival performance "Pichet Klunchun and Myself" is slow moving and not especially dynamic. It's often self-consciously mundane, at times even a tad tedious. It's also cleverly ...

What was supposed to be chat about how artists are changing dance, became a storytelling session with Jerome Bel explaining to rapt attendees how he created the performance Pitchet Klunchun and Myself ...

How can theaters adapt to prevent climate change? The British director Katie Mitchell and a Swiss playhouse have developed a new model for taking a production on the road. By Laura Cappelle Jérôme Bel ...

As much discussion as dance, it begins with De Keersmaeker playing the famous 1950s Kathleen Ferrier/Bruno Walter recording. Halfway through it is stopped, and De Keersmaeker talks about Ferrier ...

That may be as side-splitting as it gets for the general watcher. If you know who Trisha Brown, Maguy Marin, Angelin Preljocaj, Merce Cunningham and Dominique Bagouet are, you’re in for a banquet of ...

Streaming platforms for Cour d'honneur de Jérôme Bel - Avignon 2013 haven’t been announced yet. Check back soon for updates on where you can watch it online.