TBILISI -- Over the past several years, Georgia has become a darling on the international film circuit, with the country's films taking honors at festivals around the world. And invariably, the films ...

13 films were in the running for prizes in this year’s San Sebastian Film Festival competition, but it doesn’t appear to have been much of a contest at all. In a stunning sweep, Georgian ...

These claims are contested by the film’s Georgian producers and its sales agent MPM International, while the Italian media, which first reported the suspension, is suggesting the move to prevent the ...

The 2021 film Taming the Garden has become Georgia’s most celebrated documentary in recent years, competing at the Sundance Festival, showing at the Berlinale Forum, and garnering a variety of ...

Georgian filmmaker Salome Jashi had just collected her order in a Tbilisi café when her real-life nemesis, Minister of Culture Tea Tsulukiani, walked in. The two women, who emerged as the main ...

"He's so strange, this new boy." Our friends at MovieZine.se have debuted the first promo trailer for a film titled And Then We Danced, which is premiering at the Cannes Film Festival coming up this ...

Georgian director Elene Naveriani’s late-coming-of-age, female empowerment drama Blackbird Blackbird Blackberry topped the prizes at the Swiss Film Awards in Zurich over the weekend. The drama, which ...

"The wind wanted to tell her that Lisa wouldn't be the only one to wake up with different looks the next day..." Mubi has unveiled an official trailer for an acclaimed indie film from Georgia titled ...

'Beginning,' the debut feature from Georgian director Dea Kulumbegashvili swept the 2020 San Sebastian Film Festival, winning the Golden Shell for Best Film, as well as Best Director, Best Screenplay, ...

Kupferberg shows how she used to splice movie films. Recently I received an email from my friend, artist and film maven Everett Aison, regarding a movie called Brighton 4 th. While Everett is not ...

CANNES (Hollywood Reporter) - Solemn themes of exile, freedom of expression and the artist's struggle to be understood are tinkled in a wry and charming way by Otar Iosseliani, who channels them ...